The semiotics of Isotopie and Heterotopie in Zuhair’s poetry between freedom of creativity and the restrictions of belonging

Abstract

Semiotic interpretation carries out a forward-looking mission, attempts to reveal what has not been said in the poetic text, reveals what is hidden in it, and spreads the spirit of renewal in the endless connotations. Because in this renewed era, we are eager to discover the contexts hidden within texts that bring pleasure. The interpreter sees what the text did not say, and investigates the interpretations that the text can bear, until he connects the present with the past, and the branches with the origins, Then the text turns into a new creation as if it was written yesterday.

This research comes under the title: (The semiotics of Isotopie and Heterotopie in Zuhair’s poetry between freedom of creativity and the restrictions of belonging) to present a new vision of the poetic text in pre-Islamic times, and to analyze it from a semiotic perspective, in terms of Isotopie and Heterotopie, and to monitor it in the contexts of freedom and belonging according to Zuhair bin Abi Salma, at all different levels: phonetic, morphological, syntactic, and lexical, with an emphasis on the lexical aspect; Because it is the level most capable of shaping the meaning and representing the concepts in which the themes of freedom and belonging are clearly evident, which provides a new alert critical reading. This establishes a critical awareness that believes in multiple Visions and different perspectives, and produces new texts that are equal to the studied creativity and may even surpass it.